New research from internet security specialists AVG suggests that a quarter of the world's children have a digital footprint before they are even born. Over-eager parents are setting up email addresses, social networking pages and uploading ante-natal scans before the…
The UK government has signalled its backing of at least one section of Lord Carter’s Digital Britain interim report from earlier this year by setting aside enough cash to give everyone in the UK a minimum of 2Mbps broadband by 2012. The cash will come primarily from an underspend in the promotion of digital TV.
It’s not yet clear exactly what form that broadband might take – ADSL, cable, wireless and satellite are all options – but that information will hopefully be contained in the final version of the Digital Britain report, which is due out in early Summer 2009.
The RIAA, BPI, IFPI, MPAA and a million other acronyms, all greeted the Swedish court’s verdict against the Pirate Bay on Friday with the utmost of glee. I have no doubt that parties were held, and major label record execs probably had an excellent weekend, but there was one little thing in their reactions that interested me.
“There has been a perception that piracy is OK and that the music industry should just have to accept it. This verdict will change that.”
Those are the words of John Kennedy, chairman of the IFPI. I’ve picked them out because they illustrate wonderfully why the major record labels in their current state are still absolutely clueless about how filesharing works.
Trying to chop of the head of the file-sharing Hydra is utterly futile. It’s the world’s most massive game of whack-a-mole where it takes years for the copyright owners to swing the hammer and it takes hours for moles to pop up and down.
The pointlessness of the fight is illustrated wonderfully by the Pirate Bay’s statement today that they’re going to appeal. An appeal means that (until it’s complete) the court’s judgement is essentially worthless. It can’t be used as precedent.
That appeal will take several years and thanks to the speed at which innovation occurs in the filesharing community, by the time it’s complete The Pirate Bay will likely be a footnote in history. There’ll be another massive source of copyrighted content. The difference is that it’ll probably be legitimate.
In an interview today, Spotify’s UK head, Jon Mitchell, said that his company isn’t bothered about Last.fm, iTunes or any other download platforms. What it’s really competing against is piracy.
What Spotify knows, that the major labels still haven’t figured out, is that price is only one factor in the war for consumer’s ears. Catalogue, ease of use and speed are also incredibly important. Until Spotify came along, there was nothing that could touch filesharing networks for all four of those factors.
What Spotify did was to attack file-sharing on all four of those fronts. Spotify is free and it has the largest catalogue of any legitimate digital music service, so it’s as close as possible to piracy on that front. It’s also considerably easier for non-techy people to understand than Bittorrentm, which can, frankly, be quite confusing to newbies.
Lastly, it’s far quicker to start up Spotify, search and hit play than it is to go to The Pirate Bay, get the torrent, then hope there’s people seeding it, then wait for people to download before finally being able to play tracks. Consumers want software that just gets out of their way and lets them do what they want to do. File-sharing most certainly isn’t that.
The moment that a company comes along doing the same thing for TV shows and movies, piracy figures for those types of content will drop massively. The iPlayer is a great start, but it needs content from every network, every producer and every country.
What will eventually defeat piracy is a shift in people’s habits to access over ownership. If you can get content whenever you want, in whatever format you want, then you don’t need a copy sitting on your hard drive. That makes it much easier to deliver advertising along with the content, so greater revenues are possible for companies offering streaming.
It’ll require a mindset change among consumers, and a roll-out of mobile access to services that trust the user with a decent-size cache for use when out of signal range, but all of those are definitely within reach of the average consumer before a Pirate Bay appeal could ever be concluded.
The Pirate Bay verdict means nothing for record companies because the site stays up. It means nothing for the Pirate Bay’s administrators, because they’re appealing the verdict and so they’ll be stuck in legal limbo for years.
Lastly, it doesn’t mean anything for the general public, the downloaders, because they’re all slowly moving to services that offer access, rather than ownership. Companies that help facilitate that change will be the ones that I’ll be betting on in the next few years.
Picture the scenario – you’re at home, and your internet connection’s gone down. You want to ring the providers, but all the info is in your GMail, and you can’t get to it, because you’ve got no internet connection! What do you do? You stop panicking, because you’re turned on offline access for GMail.
It’s a new feature for the popular webmail client that’ll allow users to keep a local cache of their messages so that if your internet connection drops for some reason, then you’ll still have complete access. It’ll also work in situations with no connection at all – on a plane, for example, or a bus.
To activate offline access, go to the Labs section of your GMail. It should be in the list there. If it’s not yet (it’s not for me) then give it a few hours and it should show up. Once activated, click the “Offline 0.1” link in the upper righthand corner to set everything up.
(via Official GMail Blog)
We covered Photobox’s cool new Facebook photo-syncing-and-printing application a couple of weeks ago, and promised you access to the beta as soon as it’s available. I’m happy to say that we’ve got that access for you right now, so you too can put Editor Dan’s grinning face onto a makeup bag…
The tortured and confused development of the Palm OS is till ongoing, with new owner Access opening up its rejigged software so it can be whacked onto the new wave of Nokia web tablets.
The new Linux-based Palm platform uses something called GHost, which is a Garnet virtual machine
Accessibility is a big issue on the web, and rightly so. There are far too many web sites that might work well for those with perfect sight, hearing and mobility, but for others using them is a nightmare. A recent…