Tag: Digital Music
Thomson launches next generation mp3 format
If you’re anything like the girl on the right, you probably enjoy your mp3 music as it is. But if you’re a serious audiophile, you may already be left raging at the amount that mp3 files miss out to keep the file size in the single digits. If that sums you up, then it’s time to celebrate, because Thomson – one of the companies to come up with the original mp3 format – has developed MP3HD technology.
What does this mean to you? Well potentially nothing if it doesn’t pick up, but if it does then you can expect higher quality audio with less sound loss than conventional mp3s. Mp3s achieve their svelte file size by discarding various bits of audio that the algorithm considers expendable. It essentially means that what you’re hearing will always be of inferior quality to the original CD source, though it’s questionable as to how many can tell the difference. In the days of smaller mp3 players (32mb ones used to be the norm, remember) this loss of quality was essential, but with flash memory and hard disk sizes growing every day, we can afford to be a little more selective in what should be left out.
"Never Gonna Give You Up" earns author £11 in rickroyalties
It’s funny. Following the YouTube vs PRS spat last week, where the former blocked UK users from watching most music videos, many commenters erupted into anti-major-label vitriol, completely ignoring the fact that the labels aren’t involved in this argument at all.
Instead the debate centres around PRS for Music, which pays something called songwriter royalties, based on ‘public performances’ – YouTube, music in shops, nightclubs, radio, etc. These royalties exist completely seperately from the major label ecosystem, so blaming the ‘big four’ is a little unfair here.
Google’s short-term PR win might be placed in jeopardy, however, after Pete Waterman – who co-write “Never Gonna Give You Up” – revealed that he’s earnt just £11 from the 40 million+ views on the song on YouTube. YouTube wants to halve the fees that it’s paying to the PRS.
UK Music, an umbrella body of umbrella bodies in the British music industry, has labelled YouTube and Google ‘cyncial and exploitative’. It certainly seems to fly in the face of the corportations ‘Do No Evil’ mantra.
What’s your feeling on the matter? Is this a music industry failing to adapt to new technology and consumer behaviour? Or is Google taking advantage of consumer distrust of the music industry to desperately try to make YouTube profitable? Drop us an email, or a tweet, with your opinion and we’ll publish the best.
(via ITProPortal)
Nokify – why Spotify and Nokia should team up
Scandinavia is a cold place. The nights are long, the winters are snowy, and the coasts are fjordy. To stave off the cold, they run their computers all night long, and as a result the populations of the Nordic countries have become rather adept programmers and designers.
They make brilliant stuff, like the Pirate Bay, Ericsson phones, and a smörgåsbord of other exciting inventions, including Nokia and Spotify. In my post this morning about Nokia’s new music phones, I questioned why the two companies hadn’t made friends yet.
After all – Spotify has definite mobile ambitions and is in the process of pumping out an iPhone app. Nokia, on the other hand, dearly want to do more with music, but their Comes with Music service is an awful DRM-encumbred experience. Spotify has brilliant software, but no hardware. Nokia has incredible handsets, but a crappy software experience.
So why not combine? Ditch Comes with Music, which must be a buttload of hassle for Nokia to operate, and get Spotify to do exactly the same thing, but better. Build a year’s subscription into the handset price, and everyone’s happy. Nokia gets a fantastic music service that it doesn’t have to run, Spotify gets a tonne of new happy users, and the phone-buyer gets unlimited streaming music for free.
What could go wrong? Well, that depends on how Spotify implements its mobile experience compared to the desktop software. A constant 3G connection is unlikely, so there’s going to need to be some on-device storage of tracks, even if it’s heavily encrypted.
From what we know of Spotify’s iPhone application, it appears that you’ll be able to cache entire playlists – which would be fantastic. When the device can get a 3G connection, it will, but most of the time you’ll probably want to be playing off the internal memory – for reasons of battery life if nothing else.
A Spotify S60 application is coming, there’s no doubt about that, but with Nokia’s resources, expertise and cash behind the startup, something really exciting could happen that could really be a deal-breaker for someone choosing between a Sony Ericsson, Samsung or Nokia handset.
Best of all, it could finally drop the axe on the aging iPod, providing a fantastic, integrated on-the-go music listening experience with a catalogue in the cloud. I can’t think of anything better.
Spotify and Nokia
Philips GoGear Spark: now with full colour screen, but little else
Philips has leant its range of budget MP3 players a long overdue refresh. Remember the GoGear? Well, ladles and jellyspoons, I give you – the GoGear Spark!
Yes, that’s right; gather round, gather round. What once was a rather plain Jane super brain of mini OLEDs has become a fully colour…
Spotify is wonderful, but it has five problems
It’s no secret that I love, adore, and worship Spotify. It’s far and away my favourite piece of software that’s emerged over the last year. The reason I love it so much is its simplicity, and the way it does nearly everything exactly right. You can see exactly why I love it from my original writeup here.
Yesterday, Spotify removed its invitation-only status in the UK. It’s been possible to sign up without an invite, via a bit of URL trickery, for a little while, but now it’s open to anyone. Go get your sisters, brothers, parents and neighbors signed up – they’ll love it. However, Spotify, for all its awesomeness, isn’t quite perfect. Here’s five reasons why.
Isle of Man gets free, legal, P2P downloads
Residents of the Isle of Man, take note. You may soon be able to download all the music you like, from wherever you want, but you’re going to have to pay a little extra on top of your broadband bill for it. The Manx government wants to enforce a blanket music consumption license, tied to broadband bills.
“At the end of the day, we are not going to stop piracy, so let’s embrace it,” says the remarkably sensible Inward Investment Minister, Ron Berry. Surprisingly, the BPI endorses the move as well, with head honcho Geoff Taylor saying: “If ISPs take the position advocated in the Isle of Man, we’d be in an enormously better position.”
Soundcloud makes sharing music files easy peasy
Do you work in, or closely with, music? Do you regularly find yourself trying to send music files to people, and having difficulty due to the multi-MB nature of most music files? Yeah, I know, email sucks – but so does linking someone to a MySpace, especially if it’s a file that you don’t necessarily want on public release.
Or perhaps you’re a DJ, and you want to share mixes with people you know. Not publicly, just to close friends, or people on a mailing list. In either case, what you need is a recently-launched site called Soundcloud.
We7 goes ad-free between Christmas and New Year
In an attempt to grab some of the marketshare back off Spotify, web-based ad-supported music streaming service We7 has announced that between Christmas and New Year, all their ad-supported music won’t have.. er… ads. It’ll basically be un-supported music. A big money sink, I should imagine, but hopefully a big draw to their audience.
The company has assured us that it’ll still be paying royalties, so if you’re a songwriter, then don’t worry, you’ll still get your December cash to pay for those presents. However, even We7 without ads probably won’t tempt me away from my beloved Spotify. Sorry guys.
Related posts: EMI adding over 400,000 new tunes to We7’s free streaming library | Spotify – stream all the music you could ever want
NOISE GATE: 6 Tenets for a New Music Industry – Conclusions
It’s okay, you can open your eyes again. I’ve reached the end of my Six Tenets series. I hope it’s proved interesting and perhaps even useful. The way people consume music is changing very fast right now, faster than it ever has done before. At the end of it, will there still be the same infrastructure we have now? I highly doubt it. So, in full then, here are my recommendations:
- Music must be sharable – word of mouth is more important than ever
- Revenue must come from multiple sources – if one bit of the industry becomes obsolete, it shouldn’t sink the whole ship
- New technologies are to be welcomed and understood, not feared and litigated against
- A&R can be crowdsourced, but remember the long tail
- “Added value” is key – give people a reason not to pirate things
- Your artists are your most important spokespeople
RIAA to drop failed lawsuits strategy
It’s official – the RIAA is giving up on its strategy of suing thousands of individuals for file-sharing. The campaign, which began in 2003, has hit 35,000 people. At no point have the record labels ever won a contested court case, instead gaining masses of default judgements against defendants who never turned up.
It’s failed to stop file-sharing, too. Album sales have gone nowhere but down, even when taking into account digital sales increases. Not to mention the PR disaster it’s caused for the labels – who’ve sued pensioners, 13-year-old girls, and penniless single mothers.
